The Midnight Son

It was still dark out the “day” the Midnight Son came into the world. Throughout the years he was forced into a schedule, better fitting the masses and businesses that long preceded his time on Earth. As a young child he would draw and color, only to be shamed and made fun of because his world looked different than others. When teenage years came to be, he would stay up “late”, creating worlds on paper with pencil and leaving the world of color behind, only using the world of black and grey for his pallet. Then as it came time to wander the world as an adult, he left all creativity behind, until he forgot how to be creative all together.

Day in, day out, the Midnight Son lived in a world of bland and boring views. He didn’t created, nothing was intriguing to him, and everything became mundane. Until the world as a whole came to a stand still.

As the world stopped, took shelter in their homes, and separated themselves from the comfort of others. The Midnight Son finally found comfort he’d never really known from the world, while also finding comfort in a tool that brought back his creativity. The world was silent at last, no hustle and bustle to be seen, no one to get in his way or distract him from what he wanted to do, there was only dead open space and his own creativity.

It took time to find the creative talent he’d lost for so long, and the tool he’d found wasn’t as easy to use as he’d thought it might have been to use. It took time, dedication, and consistency in practice to learn how to find a way to create the work he’d end up cherishing for the rest of his life. But it took no time at all to fall in love with the environment he was truly born to be a part of.

Most people shy away from the dark, or seek refuge inside when the sun drops below the horizon, fleeing to where artificial light brightens their space. Others use the shadows and blacked out edges of the world to commit atrocities, or slink around with the intent of getting up to no good in any way. Making the night a fearful and horrifying place in the minds of the masses. But for the Midnight Son, this dark world is his “home”, this world is comfort, and this world to him is especially beautiful and peaceful.

Taking his newly acquired tool, heading into the darkness of an empty sleeping city or town, placing it to his eye and capturing the beauty that is The Night. He couldn’t get enough, creating and capturing image after image, finding things that looked so much more beautiful than he’d ever seen in the light, and finding peace & tranquility in the emptiness of the shops and streets that typically hold so much life. He was almost scared of the joy it brought him, fearing that these feeling were “wrong” in some way, since these feelings aren’t “typical” for someone to find joy, happiness, peace, or comfort in.

Putting feelings aside, the Midnight Son found such an abundance of beauty and joy from the work he’d created, he wanted to share it with others. Not knowing where else to place his work, he resorted to Social Media, before trying his hand at sharing his work through video, and ultimately building his own website for people to view the things he created.

Time went by, and the Midnight Son started to change. Not by force or dislike, instead from curiosity. He started to find that he could be creative in his own way, even during the mid days sun shining down on him. People would comment and praise him for his work during the day, but often shied away from the work he still enjoyed more. Criticizing or commenting that it was too dark, too creepy, not colorful enough. So slowly he slipped away from the dark once again, instead creating work on a schedule different from his own. The Midnight Son didn’t mind too much, even though it took small tolls from him as time continued on, he was happy to be creating, happy to capture work that so many enjoyed, and it eventually granted him opportunities he’d never realized he could have.

Time is a strange thing though, you only get so much of it, and possibly at some point you might realize that how you’re spending your time may not be exactly how you want to spend it. You may find that what you thought you enjoyed, is really what other people enjoy more, and you have a soft spot for making others happy (even at your own true joy). That’s what happened to the Midnight Son. He enjoyed creating, capturing work with the tool he’d found, and hearing how much joy others also got from his work. But deep down, the sadness grew the further away he from from his true passion to create in the night.

He sits idol now attempting to figure out his next moves. Appease the masses by creating in the light, pleasing and gaining patrons for his work? Create pieces that highlight the beauty and wonder midnight has to offer, unknowing if such work will appeal to any other than himself? Or attempt to do both, knowing that history may be doomed to repeat itself, and where the scale of Day & Night tilts in favor of the light yet again?

There is no end to this story, as the Midnight Son still lives and breaths. There is no outside to answer these questions, as it is only the Midnight Son that can conclude what happens. There is no true Midnight Son, only a title, created for me, Andrew Hoyle.

Year 2 In Review - a 20 photo collection.

The 2nd year of photography for me is over, and I’m actually already 2 months in to year 3. In addition the end of 2023 is fast approaching too, and I’ve spent some time looking back on the images I’ve captured.

Narrowing it down to 20 images was a monster of a task, taking over 6000+ photos captured between January 1st 2023 to December 3rd, weeding that down to roughly 1400 “keepers” (or as my mentor Jared Polin likes to say “the best of the best with honors sir”), and choosing only 20 from those 1400 was a tall order for sure. I spent 7 days in total making my choices, and when I finally decided I had “the ones”, I decided I was going to start sharing them 20 days before the end of the year. These may not be the 20 images others would’ve picked out, but this wasn’t a public choice event, these are My choices based off of My feelings toward them.

I’ve already started the “one a day” posting on my Instagram to count down the rest of the year, and I’ll be connecting a link to this Grim-blog each day too. So if you made your way here from IG, welcome and if you haven’t read some of my previous blog posts, I’d love it if you browsed through and looked at my work.

I’m going to keep this post short, and this will also be the last Grim-blog post for 2023. There’s going to be some big and little changes coming to the website and my photography journey in 2024, so keep an eye and ear open for announcements.

I hope each and every one of you have a happy holiday season, a wonderful rest of the year, and I’ll catch y’all later.

Andrew Hoyle - Owner/Photographer - Grimlock Media

Habitual Failure

Well I did it, I went back out and tried my Midnight Photography again, and came back with some alright images. The night before Thanksgiving, I drove to old downtown Arlington, and walked around to see if I could find anything of interest. I snagged a couple shots of familiarity, and a couple new compositions I hadn’t seen before. From buildings to objects to spiderwebs, I walked around for a little over 2hrs, coming away with about 30 “keepers”. Ultimately though, I still couldn’t find my groove, or catch much that interested me.

While I was out I felt optimistic, but quickly that optimism died off, leaving me doubting my abilities as a photographer. Just before getting back to my car, I spotted a couple spider webs, dew from the cold fog that’d enveloped the small town glistened off of each thread in the overhead lights of a nearby building. I thought they looked equally haunting and beautiful, and thought they’d make for a cool photo. So I tossed my lens into Manual Focus, and started to get into my Photographer Yoga poses, squatting and moving side to side. I think I spent 20 minutes alone just trying to get the best shots I could.

The next day I started going through the photos, one by one marking them as 1, 3, or 5 star photos like I normally do. After finding my “keepers” I went down the road of editing, finding that I liked a certain preset to use for damn near all of the photos. I stopped to grab something to eat, and realized that the sunset was absolutely stunning, so I ran back to the office, grabbed my gear, and shot out of the house to see if I could snag a shot of the mountain range from my favorite spot in Marysville. By the time I got close to the spot though, I realized I was just minutes too late, and I’d end up with too different of a photo than what I wanted. So I looped around to a backroad and headed back home, only to glance to my right and see that “The Mountain is out”. This phrase refers to Mt.Rainier here in Washington State, and it’s usually said by people that live way up North of Seattle, as the atmosphere needs to be clear enough to see the majestic mountain. With only minutes to full sunset, I found a parking spot, grabbed my tripod, and hoofed it to a spot on the backroad to see the mountain the best. Setting up my gear along the way, I got to a spot and started adjusting my settings (f22, 1/20th of a second, ISO-100) and then I spotted something. “FUCK!! There’s dust on my sensor”, and of course in a rush to get out the house I forgot to grab my cleaning gear, ugh what the hell another fail. Yeah I probably could of adjusted my settings so the dust wasn’t in the photo, but at this point I felt so damn defeated I said “whatever, I’ll see what I can do in editing”.

By the time I got home, I’d felt pretty much like the worst photographer in the world, and didn’t even bother to upload the photos from my camera to my computer. Instead, I just put my camera in my office and say “Fuck it” for the night. After taking the night off from photography, I woke up the next day still bummed about not really getting many images two nights ago, and then missing the sunset and having a dusty sensor the next day. But I wasn’t going to let it make me give up, I knew a dirty sensor could be cleaned, and remembered how many times I went out and came back with absolutely nothing when I first started doing Midnight photography, so I went back into my office and got to work.

After a little time in my office, I came back out and realized that the sunset was looking just as good, and this time I was an hour earlier. BOOM, I was off once again with camera in hand (this time clean), making it to my favorite spot just in time to compose one panoramic shot. I DID IT, I got my shot I wanted, and I also realized I could see Mt.Rainier from this spot too, so I set everything up and got another chance at it (still a little too far into sunset than I would’ve liked, but I still felt good with).

Now, I don’t think I’m at any level of “great images”, but having small victories is better than none at all, and honestly if I like my photos that’s all that matters, photography (for the most part) is subjective as hell. So if you like the photos I take, great, and if you don’t like the photos I take, great go capture your own. I also say for the most part, because I work for a magazine, so I also take pride in making sure that the photos I capture for them are to Their liking, and if they’re not I make it right in one way or another.

Before I start rambling, I just want to say that we all get “stuck” sometimes, and that’s ok. If you’re struggling with what you’re doing right now, know that it won’t last forever, sometimes you just need to be a habitual failure. But the biggest thing is don’t give up, be a habitual “get back up and get back at it” as well.

Hope you have a great week, and I’ll catch y’all later.

Pumpkins to Boudoir, and a Failed Attempt - A One Month Journal

Hello again, it’s been a little over a month since we last met and a LOT has happened. Fall arrived in full swing, Halloween was a blast, I experienced my first musical performance recording, I was introduced to the most aesthetic general store, I broke into a new genre of photography with fantastic responses to it, and I attempted to go back to a genre I love but ended up empty handed. It’s been a crazy month to say the least, and as the years been coming to an end, I find myself wondering where things will head in the months to come?

Real quick, before we get into everything. I just wanted to share the photos I took using my Canon A-1, shot on Ilford XP2 Black and White film, that I captured while out with my daughter Chandra around Seattle. Also, this is going to be a long post (intended to catch you up on everything that’s been going on), so I just wanted to say thank you for reading and I hope you enjoy the photos and videos throughout.

Just before Halloween, I was invited to go out to a local pumpkin patch with a couple of my family members. No expectations of taking photos, but I brought my camera and a couple lenses with me anyway, since I knew a couple of my younger cousins would be there. We all walked around, looking for the “perfect pumpkin”, which I’m pretty sure the kids found about 7 or 8 times, while I talked with my aunts and helped load the “perfect pumpkins” in and out of the cart each time it was found. I snagged pictures along the way, enjoying the just barely chilled morning and my nice and warm coffee. Having no reservations about what to capture, and just being able to stroll along while enjoying the company of my family, is always a welcomed event. As we were heading back to the front to pay, I snagged pictures of other families, having fun on their own hunt for the “perfect pumpkin”. I’m not sure what sparked it, but I was definitely aware of the fact that day felt very reminiscent of when I first started shooting photography. No goal or real purpose in mind, just there to enjoy the day and come away with whatever I could get.

Not long after my day at the pumpkin patch, I was tasked with a recording that honestly made me the most nervous I’ve ever been since I started working with True Northwest Magazine, I recorded a musical performance. There’s a lot that I’ve learned since September of 2021, both in photography and in recording videos for YouTube, but I’d be an absolute lying ass hat if I said I’m a professional at anything I do. So to be tasked with recording a musician for the 1st time ever, and also be for the TNW YouTube channel, I was having a mini heart attack almost daily. I thank all the luck in the world that I had, as we got the chance to record in an actual recording studio, which made sound management so much easier. It took me an alarming amount of time to get everything set up (lights, cameras, audio, monitoring, and positioning), but once we got started it went “reasonably” smooth, only having a few hic-ups during the performance. I spent days, literal DAYS, researching the best way to edit audio, and came away with a decent video in the end. I have so much respect for audio engineers (both before and after doing this), and I can confirm that it won’t be a profession I seek out to explore. In the end, Anthony and HilaryAnn did a killer four song set, I had fun learning something new, and everything worked out in the end.

In addition to recording the musical performance for TNW, I also got to do a photo shoot for Petrikor, a modern general store located here in down town Everett. Petrikor is a beautiful store, filled with artisan goods, drinks, and eats. It’s also hands down the most aesthetically beautiful store I feel like I’ve ever been to. The owners and the staff are beyond friendly and inviting, the store itself is comfortable and inviting, and I ended up spending over two hours at Petrikor because of that. On top of having a blast getting to know the owners and staff, taking pictures and browsing the items, my assistant bought me a bag of artisan kettle chips (which I am now addicted to). Thanks Phong. Check out the latest issue of True Northwest Magazine ( https://www.truenwmagazine.com/ ), and get to know Petrikor and Anthony Brock music group a little more.

One of the goals in my photography career is to be as diverse as possible with the work that I produce, and in the few years that I’ve shot photography (and getting linked up with TNW has helped out a lot too) I’ve done a pretty good job at exploring tons of genre’s and testing them out to see if it’s something I want to pursue more of. One genre that has eluded me though was boudoir photography, a genre that honestly and understandably requires a ton of skill as not to turn it into porn, and a ton of trust that the photographer and model are comfortable with each other, as the model is required to bring forward the portrayal of intimacy and romantic emotions. Boudoir is typically intended as a gift for the models partner, but in doing a light bit of research I found that there is another common reason for one to do a boudoir shoot. The confidence boost that can be gained from a shoot of this genre can be immense, even overwhelming in certain cases, and after doing two shoots for two beautiful women, I was shown what boudoir photography can do (and I also felt a powerful draw toward wanting to continue to give that confidence boost to more individuals).

From the start of put myself out there, and reaching out to people to see if they’d be interested in doing a boudoir shoot with me, I knew I’d have a certain level of difficulty that I’d need to be understanding about and continue to figure out how to navigate. Luckily enough I have two friends that are relaxed and confident, to which led them to reach out to me immediately to book a shoot.

Wanting to give boudoir, and my friends, the best outcome I could try to, I put together a template for the entire “experience”, from the scheduling and planning of how the shoot would go, all the way through how I’d handle the distribution of the photos afterwards. Both sessions went great, with both ladies letting me know that I did a fantastic job of making them feel comfortable, confident, and that I was a great help in posing instructions as well. When it came time to distribute the photos, each of my friends had different needs, but it was my second friend (Crystal) that had the biggest impact on me.

Crystal had reached out to me to do the shoot, because she had always wanted to do one (a bucket list item as she put it), but had previously lacked the confidence to fully take the leap. Finding this out during one of our conversations leading up to our shoot date, I wanted to help build up her confidence even more than she would be able to imagine. I took my time in getting her posed and instructing her on how to bring out emotion, making sure that she was comfortable, and moving her to different compositions to “tell a story” instead of shooting for singular compositions. After our shoot I of course edited the photos (picking out the best ones) and put them all in a file to give her, before moving on to the other “gifts” I would present to her. While I was editing the photos I came up with an idea, “why not utilize the Media aspect of Grimlock Media to present her with the photos?” So that’s exactly what I did, I put all the photos into my video editing software, added different music for the different parts of the photo sets, and created a photo collage video that I could present to her. Going one set further than that, I also had the idea of putting a small photo book for her as well.

The day I went over to Crystal’s house to present her photos, I was excited and nervous. I hadn’t known Crystal all that long, and we’d never officially met in person until the day of the shoot. I didn’t have a clue if she’d like video or book I put together, or if she’d even like the way I did the edits of the photos. But when I started the video for her, and saw the expression on her face, I knew she was in love. In love with how the edits turned out, in love with the fact that I went above and beyond her expectations of what she’d get out of the shoot, and most importantly she was in love with herself and how she looked. She didn’t say much throughout most of the video, but she didn’t have to, her emotions radiated without a single word.

Since that day she’s expressed that she wants to continue to do more shoots, exploring different locations and poses, all while continually building confidence. To which I’ve replied “I’d love to, and it’d be my pleasure”.

It’s always bewildered, and more often than not frustrated, me how life is far from a straight line. There are highs and lows, multiple paths, and dead ends. So it didn’t really come as a surprise that with all the highs I’ve been having lately with my photography, there’d eventually be a “fall flat on your face” moment.

Those of you that have been with me from the start of my photographic journey, know that some of my first experiences in photography was to go out late at night and shoot. I called it “midnight photography”, and I fell head over heels in love with it. I’d go to down town Marysville, Arlington, Bellevue, and even wander around Pike Place at midnight or later. I’d snap shots of the interior of business that sat still and empty, waiting for the next days customers and staff to fill it’s walls with hustle and bustle. I’d find and take shots of the late night workers, that on most days no one even knew existed. But my favorite of all to capture was the environment itself, capturing an area or buildings that people recognize, but at the time it was captured it had a look and feel of abandonment. That feeling that I captured was typically loved or hated, there never did seem to be a middle from people.

Being that I’ve been so busy the past couple months, and been driven to explore more genres as well, I hadn’t made it out to shoot a midnight session for almost a year. But last night the itch to go back out and give it a go again was just too strong, so I packed up my camera gear (camera, 50mm, 85mm, and a 135mm just for fun) and headed down to Pike Place. I got there a little before midnight and started my way down the main road. I started out with the 50mm, and snapped a couple shots here and there to try and get the feel for shooting in that style again. Walking up and down the road, up the hill and back down the other side, I was looking everywhere only to take a couple shots after almost a half hour. By the time I came up on an hour and a half of being out, I realized that I wasn’t really finding or composing anything that I liked. I’d change to my 85mm for a little bit, walk all around and snap a couple pictures, not like most of them, and then change over to the 135mm, only to have the same outcome. I couldn’t do it, I couldn’t get back into the groove of things.

I spent 2+ hours out, and I barely scratched 30 photos. To say I was frustrated would be an understatement, but more accurately I was scared. While driving home I had come to the conclusion that I’d been so far out of practice, and been shooting such drastically different genre’s, that I should’ve expected to come away with little to nothing and not been surprised. When I got into photography everything was a wonder, everything stuck out like a neon sign, because it was a whole new way of seeing the world (through a lens). It sucked not being able to feel that wonder and excitement again, but even though it was a dip in the road, I’m still looking forward to going back out in the middle of the night, and trying my hand again and again. If there’s one genre of photography I never want to lose, it’s the one that I started out my journey with to begin with.

Hey, this has been one hell of a long one to write (and read). I wanted to say thank you for taking the time to get through it. I don’t expect that most will take the time to make it this far, so if you did, you’re definitely one of the great ones.

I hope you enjoyed catching up, that you have a great rest of the year, a fantastic holiday season (if I don’t happen to sit down and write another post), and that you experience more “life ups” than downs.

Catch y’all later - Andrew Hoyle

Teaching the Art of Stopping Time

It’s no secret that my status as a father figure to three girls (that aren’t all that much younger than myself) is weird to a lot of people, compounded even more when they find out that I’m also a 36 year old grandpa. But i’ve never really given it much thought to how “weird” it is. Probably because I also never gave much thought to becoming a father figure, mostly because I didn’t think or know that I’d be needed as one. Hell in reality and in the eyes of the public, all but one of my daughters were “adults” by the time I came into the picture. Looking back on how little I thought about it then, and how my daughters view me currently, I feel honored to be such a big part of their lives and help them with whatever they need help with, as if they were my true blue own children.

For a good portion of my life, I’d dare even say my entire life, I’ve loved helping people. Whether it be physically helping in some way, being someone to come to when you need help emotionally, or as a person to not only learn from but learn with as well. I know there’s a word or title for the type of person I am, but I’ve never been able to remember what they’re called.

At this point I’ve being studying and practicing photography for a little over 2 years, marking my “anniversary date” as September 2021. I’ve gone on countless photo adventures, linked myself up with an amazing magazine that loves the work I produce, shot events for friends and family to keep moments in their lives forever remembered, and even created books/zines/calendars and prints. Doing this all in the corse of two years is still crazy to me. So when my daughter Chandra called one day and told me that she’d be coming into Seattle for a weekend business trip, and was wondering if I’d pick her up from the airport, then tour downtown and do some photography before dropping her off at the hotel she’d be staying in. I of course said “hell yeah, that sounds fun”. I knew we could have a ton of fun walking around and snapping photos along the way.

A little while back, during a different visit, Chandra had asked me if I could show her how to use a camera more than setting it in auto and hitting the button. At that time I only had one camera, but I was still more than happy to share in my love for learning photography. So when she came up for this trip I was ready, I brought both my camera’s with me, a few prime lenses to keep it simple, and while we walked from the hotel to Pike Place Market I started my “On Location Photography Course”. Not going too in depth, but instead setting her up on Aperture Priority and explaining what it was she was adjusting to create her photos, and why the other numbers changed when the Aperture changed. She took to it like a fish to water, looking through a 50mm f1.2 lens, making adjustments until she liked what she saw, and even adjusting where she was standing if she wanted a different composition (something that was apparently instinctual, since I forgot to mention anything about composition). Hell she even gave Manual Focus a try a few times, when the Auto-Focus wasn’t doing what she wanted it to do.

As we walked and shot, I tossed out random “tid-bits” about why the camera/lens was doing a certain thing, or how to get a certain “style” of shot, but most memorably I talked about how I love to look for different/abnormal light pockets. One of the cool things about Seattle, and most cities that have skyscrapers, is that all throughout the day the light changes and bounces off the glass, metal, and other building surfaces to create “light pockets”. Reflections, back lighting, haloing, and super softened lighting are EVERYWHERE when you’re deep in the heart of tall buildings, and playing with those sources of light is fun as shit.

The longer we walked and shot, I was becoming aware of something else as well. I’d gotten rusty, or maybe better described as “to clinical” when it came to the Street Photography style. It’d been awhile since I’d done any of my “Midnight Photography Sessions” or “Lunch Break Photo Adventures”, where I would just look for things that caught my eye to take photos of, and had been doing more “posed/modeled/planned” photography instead, that I was having trouble breaking free from my own mind. It wasn’t until I saw Chandra take an off axis look up shot in an alleyway, that I realized “oh yeah! I totally forgot that I’m perfectly free to just shoot. Stop over thinking it”. Ultimately turning Chandra (unknowingly) from “student” to “teacher”, and most likely helping me get shots I’d love a whole hell of a lot more at the end of the day.

After I got home, I browsed thought the photos both Chandra and I took, quickly realizing that I wanted to show Chandra just how great her photos turned out (as she had continued to say “these probably won’t turn out that great” throughout our entire walk). So as not to diminish the “true” photos that Chandra took, I put a very light edit on all of them (adjusting the color saturation and vibrancy slightly, and bringing the exposure up or down to be more neutral), and left it at that. For my own photos, I actually used the same settings for a majority of them, only tossing a B&W in there for fun when I thought it’d look better.

Wrapping up, I absolutely love being a teacher, a father figure, a grandpa, a friend, and a student. I hope I get to have even more adventures and events like this with all my kids, my grandkids, any of my family members, and my friends as time goes on.

Below are two collections of photos, one from Chandra and one from myself. I hope you enjoy them as much as we enjoyed capturing them. I also hope you have fantastic days ahead, and that you enjoyed this weeks blog.

Until next time, I’ll catch y’all later.

Photos shot by Chandra

Photos shot by myself

Coming to the end.

The last 3 months of the year will be here soon, and with it comes cooler temps (and consistent rainy days here in Washington State). I’ll have to trade my shorts in for pants, my t-shirts will be covered with hoodies, and my head will start dawning a beanie. But it’s alright, I actually prefer the cooler weather, considering I was born and raised in Washington state, I grew up playing in the rain (insert Bain’s line, “I didn’t see the sunshine until I was already a man”, lol).

Just recently I had a client cancelation, but instead of crying about it I figured I already had my gear ready to go, so I’d turn a missed opportunity into a chance to network and meet new people. I popped down to the Everett Waterfront, set up my gear on a bench, and drew up a sign that read “Would You Like A Photo?”. I got a lot of “No thank you”, but managed to find a few people that said “yeah sure, that’d be nice”. The photos below are what I came away with.

I met all different kinds of people (if they got their photo taken or not), and had a blast the entire time, yes even when I was told “No”. It was a win all ways around, but especially so for me. Some people got some great photos, I got to practice using my flash, built up my networking and communication skills, plus it got me out of the house and to enjoy the sunshine before it disappears for another 8 months, hahaha.

I had a full load out for doing Food Photography, but really only used my Westscott FJ400, 24” beauty dish modifier, a single light stand, my Sony A7iv, and my Sigma 85mm f1.4 Art lens.

After getting back home, I sat down and edited all the photos I captured that day. I sent everyone out their photos the next day, and made sure to take time to converse with everyone as well, adding to the networking aspect I intended to accomplish the day before. Everyone that wrote back and I talked with loved their photos, and expressed how grateful they were.

I never once asked for money, and instead told everyone that this one was on me, but that I’d have a “tip jar” for those that would like to use it included in the email I’d send them with their photos. So for any photographers out there that might be just starting out, I can let you know that what I did is a great way to build clientele. You may not make a living off of those “random pop up photo shoots”, but you never know who you’ll meet or what photo opportunities can come from them, you can expect to pay for lunch with the tips most times though.

So right now, you may be asking “that’s a great little story Drew, but what does that have to do with (coming to the end)?”. Well I’m glad you asked (even if you didn’t), because I wasn’t just referring to the end of the year, I was actually referring to my YouTube channel - Grimlock Media. You see, since creating and continuing to help build True Northwest’s YouTube channel, in addition to writing these blogs, I’ve come to the conclusion that I don’t know when/if I’ll make another video for my YouTube channel. I have so much focus put into TNW’s projects, my own photography business, and creating other items, that I don’t have enough time to spread myself even more thin trying to produce videos all by myself. So, that means that my YouTube “stardom” is coming to the end, for the foreseeable future. I’ll still keep my videos up, just like I did when I transitioned The Brew Log into Grimlock Media, I just won’t be making any new videos (except for one last “Ending” video). I will miss it, and hope that sometime in the future I can restart it back up.

One final note before we wrap up, and in addition to talking about the end of the year, I created a calendar for 2024. Below you can watch the video of the calendar look, but I wanted to go over it a little as well. The calendar will have 12 images that are roughly 12'“x17”, will have the month in the lower left corner of the image, and the Day numbers below the image to cross off. This is actually the 2nd version of the calendar, as the 1st version didn’t work out in printing. I created the calendar the way I did, because I feel that if people are going to pay good money for something, than I want them to be able to keep the images they get for more than a year. Each calendar will be printed on high quality Luster paper, and could easily be framed if desired. Every calendar will be signed and shipped to you before the end of 2023, but in order to meet printing/signing/shipping schedule, ordering will only be during the month of October and closed at midnight November 1st. Like I mentioned, each calendar will be $60, which has shipping included. So if you’re interested, keep your eyes and ears peeled for the official drop announcement.

That’s it for this weeks post, I hope you enjoy the photos, my writings, and are as excited as I am about the calendar. Until we meet again, I hope you have fantastic days, and I’ll catch y’all later.

Andrew Hoyle - Grimlock Media

Happy (Photography) Birthday!!!

September 3rd 2021 at 10pm in the parking lot of my work as I was going home, using a Canon PowerShot from 2009. I took my first image.

Settings: .3sec / f2.7 / ISO-80. Edited in full color, that strangely enough imitated a black and grey style. At the time, I only took one image, in part because I wasn’t sure how much memory my 4GB (yes you read that right, 4 Giga Bite) SD card would hold, and also because I simply didn’t think about taking multiple shots and picking from the best ones. I knew absolutely nothing about photography at that time, other than “I just have to adjust these three things and get the little arrow to reach 0 on the scale at the bottom of the screen, before I can hit the shutter button”. I had no forethought of composition, lighting, angle, why I shot in horizontal instead of vertical, how little editing capabilities I’d have shooting JPEG instead of in RAW, or even that where I stood wasn’t ideal (and why it wasn’t ideal). I just adjusted the setting on that little point and shoot to where I thought it should be, and hit the shutter button. Only after getting home and spending hours playing around with this one shot, did a few things finally sink in. “I would love to get a better camera, I need to dedicate myself to learning the fundamentals of photography when I do get a better camera, and I’ve never felt this way about something. I’ve been excited and excited about things, but this is more. A feeling I don’t know how to describe”.

Anyone else that looks at this image will most likely think, “that’s a pretty boring ass photo of a car”, and they’d be 100% correct. But to me, I see this image and think, “I love this shot so much”.

The 1st One

September 11th 2023 at 11:45pm in my shop behind my house, after receiving a zine from a photographer that I admire. I spent almost an hour gathering everything, setting up, adjusting, and taking 52 test shots before capturing my most recent shot.

Shot settings & thought process: 1/30sec, because nothing was moving and to adjust for flash brightness, f/stop, and ISO range. f/11, because I wanted to have a long depth of field throughout my shot. ISO-100, because I knew that if I wanted to have a vintage feel to the image, I could add and have control of the grain structure in post processing. Flash used as main light source and power set to 4.2, so not to overpower secondary light source too much, and also not to have too bright of a glare on the glass objects (additionally I would have used a CPL to try and cut down more of the glare, but I didn’t have one available). Constant secondary light source pointed directionally toward the right side objects/elements, and power level set to 30%, in order to enhance the “main focus” elements (Zine, photo, and envelope).

I used my A7iv with my 50mm f/1.2 GM on a tripod, added elements and objects that best fit the photographer of the Zine’s personality. And in the final shot I added the smoke element by puffing on the cigar, hitting the shutter button which had a 2sec delay to it, and blowing the smoke over the entire scene before my camera went off. All in all it took me just shy of an hour to set up and create this one image.

2 Years In The Making

Now, do I think this image is better than the first shot I ever took? Yes absolutely, but there’s more to it than that. I will always have a soft spot for that first shot, the innocents of not thinking too much into it but instead taking the shot and having a starting point to learn from. As for the second shot, it too will have a soft spot in my heart forever, as I intentionally set out to try to capture exactly what I had in mind, on top of wanting to shoot something fun for my “Photography Birthday”.

Additionally, if I take a few more steps back from it all, and look at the “bigger picture” of this Photographic Journey, I’m beyond floored. To think that in two years I’ve gone from taking a random shot in a parking lot, to working for a local magazine, not to mention thinking about all the people I’ve met, places I’ve been to, and things I’ve been privileged enough to experience along the way. It’s cliché for sure to say, but I honestly had no clue I’d have ended up where I am today 2 years ago. And I want to say Thank You to all the people I’ve met along this crazy journey so far, I can’t wait to see what’s next and who I become friends with too.

I hope you enjoyed this weeks blog, and the photos that came with it. Have great days until the next time we do this thing, and I’ll catch y’all later.

Andrew Hoyle - Grimlock Media

Flash!! WooOOooh, IT'S INCREDIBLE!!!

So I knew this day would come soon enough, and in all honesty I should have just dived into it long ago. Flash photography is a beautiful nightmare of a thing to learn.

The images one can create using a flash are awesome (in my case I went with an off camera flash, since I already had light stands and modifiers I could use), not to mention the ability to sculpt light, create so much more depth, and add in a beautiful extra amount of (for lack of a better word) soul. Holy hell, why didn’t I try flash photography to begin with?

I initially realized that I could have had an easier time shooting Mina’s photos, had I already picked up and learned to use a flash. The day we went out to do the photo shoot, it was massively overcast, making everything look somewhat “flat”. Had I already picked up and learned to use a flash, I would’ve been able to create more “drama” to the background by darkening the highlights and shadows, while simultaneously making Mina pop off the background. Granted I think I still did a great job with Mina’s photo shoot, and I really do love a lot of the photos that came out of it. I only mention the event because I realized that her shoot would’ve gone a lot faster and most likely would’ve produced even more “soul” to the photos had I had a flash already is all.

Moving ahead to when I finally picked up a flash (a Westcott FJ400), and started learning how to use it. The photos below are in chronological order, from the very first photo I took, all the way to last nights final photos. They will be all different exposure levels, as all I did (editing wise) was put a preset on them and adjust the white balance. I wanted to show my progression throughout me learning how to use my flash.

For the most part setting it up, linking the flash to the module on top of my camera, and adjusting the power settings was pretty straight forward. A little help from the University of YouTube and reading the instruction manual, and I was pretty much off and running. Once I got use to how to expose my camera to compensate for the flash level, I started to play with different positioning of the flash, and then ended with finding different angles of composition.

If you notice (and lets be honest it’s hard not to) that 90% of these photos are of donuts, well that’s because I’m preparing for my food photography session with El Mariachi (which had to be postponed unfortunately), and also because I was told that using a flash for Food Photography can help out, A LOT.

I don’t think I’ll become a full time flash only photographer now, but like with most things it’s nice to have knowledge in a helpful trick when you need it.

I hope you are having fantastic days, and I’ll catch y’all later. If you’re on the fence about learning flash photography, don’t be scared. Pick one up and go out and flash things, lol.

Andrew Hoyle - Grimlock Media