Just Go Shoot

It’s funny how nervous I get before shoots lately, you would think that I’d have more confidence the more I shoot. But strangely enough, I feel like it’s almost the opposite. i don’t know if it’s because lately I’ve been pulled in a bunch of different directions, or if it’s because I’m getting paid to do a lot more of these shoots than I have previously. What I do know for certain, is that I’m buuusy, and I miss going out to just shoot.

Don’t think I’m complaining though, I’ve not been so busy that I Can’t get out to go shoot, I’ve just been too lazy to get my ass out there and go shoot. I talked about being in a “freeze” a couple weeks ago, and then finding that I was almost instantly “defrosted” when I shot the mural that QVO and Hippie did. And I think I need to go do more of that “random” photo adventures more often, because I truly do believe they’re beneficial in so many ways.

There isn’t much of an “update” or “story” this week, especially in comparison to my usual blog length. But, I wanted to just share some thoughts that have been rattling around in my head, and maybe inspire myself to get off my ass and Just Go Shoot as well.

Hope you have a great rest of the week, and I’ll catch up with y’all again soon.

Oh, and I was practicing at shooting Food Photography the other day. So here’s a few photos of what I got. I just used my phone, the available overhead lights in my work lunchroom as well as the table, a cheep plate and placemat I picked up, and then plated everything that came in my “to go” box. I edited the JPEG photos in Lightroom as best I could, and I think it turned out pretty good for what I had available.

The Chameleon

I always said that I really don’t have my own style or identity to my photography, mostly because I’m still in the beginning phase of my photography (this September will mark 2 years in photography). Another reason for the “lack of style/identity” is due to the fact that I really haven’t had an event come up that I’ve needed to have one. I don’t have a full time job as any certain type of photographer, I get to be as creative as I would like be when I’m getting shots for the Grim-blog or YouTube, and I’m pretty good at adapting to what True Northwest Magazine needs when I shoot for them. Coming up soon, I have a project where I’m being asked to “transform” and explore another genre of photography that I’ve not shot before, and I’m super excited about it. (More to come on that project soon).

Talking about transforming, I’ve realized just recently that like a Chameleon, I seem to be able to flow in between different genres fairly easily when I’m needed to. It’s never perfect, and I’m fully aware that I may never reach a “mastery” of any certain genre. But again, like a chameleon that changes its appearance to mimic its surroundings, my style/identity in each genre suites the viewers eye well enough to be perceived as “almost perfect”. it’s not going to be perceived that way for everyone, and there are photographers out there that are WAY more talented than myself, but again I’m aware of that and try my best to do and be the best at “who I am”, which is simply someone that’s just trying to produce quality images until I DO find my own style/identity.

Like I mentioned above, the next couple weeks I’ll have the opportunity to work with a client that I’ve admired for awhile now, not just shooting photography for them, but capturing their story for the magazine as well (both photo & video). I may be gone for a bit from my consistent writing, just while I’m focusing on giving them the best me I can bring to tell their story. I’ll still try to write during, it may just come out on a different day, might be shorter, or there may be no change at all (really who knows what’ll happen).

I don’t have any new photos this week, but instead I’ll post some of my old favorites, and as always I hope you enjoyed the read. Have great days ahead, and I’ll catch y’all later.

Andrew Hoyle - Grimlock Media

Super Cool Alien Defrost Technique

So on Wednesday I talked about my “Hard Drive” being “Frozen”, which if you didn’t read Wednesday’s post, scroll down and read it. But in association to that post, I also talked about what was going on with me on my Instagram, and one of my friends messaged me about a couple guys putting up a mural (super late at night) and that I should go say hi.

So that’s what I did, I waited until I got off work (at 10:30pm) and went out to the wall. No expectations, no assignments given, just a good old meet up with some graffiti artists. Of course I had my camera in tow, as well as my 85mm f1.4 & 50mm f1.2, because I’d been wanting to go out and see if I couldn’t get my brain to switch back into creative mode. When I showed up to the mural the artist (Hippie & QVO) were painting, I introduced myself and we started talking about all kinds of things, almost as if we’d been friends for years (which I have to say is one thing I’ve found I’m pretty damn good at, making friends quickly and holding a conversation for hours if you’ll let me). Shortly after getting their names and talking about the mural they were painting, I asked (as if by muscle memory) “You guys cool with me breaking out my camera to see if I could get a couple of shots while you work?” Both were fine with it, and especially when I asked how ‘undercover” they wanted to be, as one thing I’ve learned from shooting graffiti artists is that some don’t want to be recognizable or even in photos at all, but in this case both artists were fine with what I got.

I slapped my 85mm f1.4 lens on my camera, and almost instantly went into creative mode. I looked for elements to incorporate into the shots, looked for certain positions the artist were getting into, how they held the cans, how certain parts of the wall looked with the different lights being shown on it, and I tried to not just focus on the artist but the environment AND the wall as main subjects too. Then, after about an 30-40 minutes, I swapped out my 85mm for my 50mm f1.2 and went back to seeing what I could get with a slightly wider focal length. It was fucking amazing I tell you, all the “brain fog” I’d been experiencing was gone, in an instant.

After about two hours or so of shooting, and of course gabbing here and there, I told the guys I had to pack up and head home, as I noticed that I unknowingly started talking more than I was shooting (which isn’t bad by any means, but I also didn’t want to distract them too much from getting their mural done). So we said our good byes, and they let me know that they were going to try and finish up by the following night. To which I told them, “Awesome! I’ll be back out tomorrow night than to see it and capture it”.

The next night I met up with the guys once again at around 11pm or so, and they were just putting the finishing touch to the mural. We talked a little more, while they moved to and from the mural, stepping back long enough to look it over before adding a little highlight here or an accent piece there, until they both sat back and took a long hard look at it before saying “I think it’s done”. As soon as those words left their mouths, I went and grabbed my bag my tripod and my “photography chair” (which is just a chair I use for long exposure shots). I helped them clean up the site, and we gabbed a little more while I set up my camera.

One of the things that I always love challenging myself to get is graffiti murals late at night, it’s not as easy as just setting up a tripod and shooting a long exposure shot (well sometimes it’s that easy, but most times it’s not). I like to get as straight of a photos as I can get, and stitch all the images into one long shot. So I broke out my tape measure, getting the distance from the wall to the front leg of my tripod, getting the measurement of the top of the wall to the center of it, and measuring out the hight of the center of the lens to the center of the wall. This takes a pretty good chunk of time to get all the shots I need, but when you come away with a killer looking pano shot, you really don’t care how long it takes. This one took me roughly about 30-45 minutes to shoot, as it wasn’t too terribly long of a wall.

After I snapped all the shots I figured I’d need, I talked with the guys for a little bit longer, as this would be the last time I’d see them in person (their flight home was right around the time I take lunch at work). We had only just met, but again it was like we’d been friends for ever. I never did mention how thankful I was for them unknowingly getting me through my creative slump, well until they read this that is.

To Hippie & QVO: Thank you for being so friendly and welcoming people, I truly feel blessed to be able to capture you both in your element of being creative individuals. I know you had no clue I was going through a “creative mind block” at the time, but thank you for helping me get past it.

To you (my friends and readers): It’s a pain in the ass when your brain won’t do what you want it to do. But sometimes the best thing to do, is not to do much or anything at all. If there’s any advice I can give to photographers out there that may be struggling, just chill and go shoot something you really like to shoot. Don’t get stuck in your head, don’t get over worked, and don’t give up either.

I hope you enjoyed reading this weeks (2nd) post, and I hope you enjoy the pictures I snagged of Hippie & QVO spaying their mural. Until next time, I’ll catch y’all later.

Andrew Hoyle - Grimlock Media

Frozen "Hard Drive"

Have you ever been mentally frozen?

Having Attention Deficit Disorder (or Attention Deficit Hyperactive Disorder) can be a blessing, when you know how to use it to your advantage, and sometimes it just flat out sucks ass. Having ADD has granted me this amazing ability to hyper fixate on a multitude of things, one of which was learning photography (the settings, how the exposure triangle worked and how you could manipulate it, how to edit, how different lenses give you different images, so on and so on). But then there are times, where everything just Stops. Not just in the sense that I stop learning or I can’t pay attention, I mean my brain just freezes and there’s nothing I can do to move past it.

I’ve had this issue come up before in the past, mainly when I was in school, and a lot of people dismiss it as “oh well it’s because you have ADD, so you just can’t pay attention”. But that’s not it, because (I can’t speak for others that have ADD, but) I can actually pay attention quite well, and typically I pay more attention than those that don’t have ADD. This frozen thing is even different from Hyper Fixation, and I’ve found that it typically happens after Too Many hyper fixations. I’ll try my best to give an analogy.

Imagine a hard drive as a brain, and we’ll say that the “normal” operating procedure to put files of information onto this “brain hard drive” is one file at a time. Now this file is filled with just enough information that the brain needs to learn something, maybe over a long period of time which gets downloaded to the hard drive in multiple files, and those files all stay relatively small in size (easier for the hard drive to load). That will be our example of a typical individuals learning experience. Then there’s my brain, and how I learn things. My hard drive functions like any other, what screws everything up is my downloading system. I have an uncontrollable fear that if I don’t learn everything I can, I’ll lose interest and Stop/Delete the file part way through its download. So I hyper fixate on things, cramming the file with as much information to keep me interested as possible, making the hard drive try harder to download the “fat file”. On top of that, I learned that I can actually hyper fixate on multiple things at the same time, as long as it was relatively in the same subject (photography, videography, editing, production, audio, lighting, etc.). But the down side to that is my brain, or hard drive, gets to a point of downloading so much information that it crashes, and subsequently freezes.

No matter what I do, no matter how hard I try (which most times makes it even worse), I can’t get it to go away. But why am I telling you this? Well it should probably be pretty obvious, but I’m telling you all this because I’m going through one of those “Frozen” moments right now. I’ve had so many things going on, between doing photo shoots, doing production shoots, creating videos, curating/building a YouTube channel, keeping up with business items for Grimlock Media, and also making sure that I’m talking and networking with people to plan future events. And all of this isn’t bad, nor am I complaining about any of it, I’m more just writing down what it is that’s happening as a heads up to what’s coming next.

Because I “hit my limit” so to speak, and I now know that I can’t continue to take on all of these things at the same time, I’ll be sitting down and prioritizing what’s most important. I can tell you ahead of time, my dealings and drive to work with True Northwest Magazine will be part of my top priority, as well as continuing to build my business how I see fit. But certain things like YouTube, Instagram, and Facebook will more than likely fall off (some may get canceled entirely).

One thing that won’t be canceled is this blog. I’m very proud of this little blog, whether anyone reads it or not. Additionally I’ve found that it helps me free up space in my brain, which very well may help me get past this damn Freeze.

Thanks once again for reading (if you did, and you got to this part, type out “brain freeze” in the comments), I really do appreciate everyone that gives me support in all the things I do.

Catch y’all later.

Andrew Hoyle - Grimlock Media

The Power of an Image

Do you ever wonder if what you’re doing is what you’re “supposed to be doing”?

Having Attention Deficit Disorder my entire life, I’ve gone from one thing to the next to the next, always searching for something but never knowing what I was searching for. And as much as I’d love to tell you I found it, I’m still not sure I have, but I hope to God that I did find it.

I have so many asperations in where I want to take my photography career, the biggest one is to make a living from my photography and be forced to make it my only job. To get there will require a tremendous amount of work and dedication, not to mention navigating the lows that are inevitable to come. Even with the knowledge that moving forward will be a slow and long process, I still can’t think about doing anything else.

For a little while now, I’ve been working with True Northwest Magazine, not for a salary but instead because I believe in True Northwest Magazine to become something absolutely amazing. My hope is to meet amazing individuals (which I already have), to help build something special from (close to) the beginning, and to see where it may take me in the future. Melissa (the founder of True Northwest Magazine) is an amazing woman, who took a chance toward making something that her community would love, as well as use to connect with each other even more. And I think her drive to dive head first into creating something, is honestly what attracted me to True Northwest Magazine. I don’t so much care about how much money I can make in the end, as much as I want to leave behind something meaningful to others when I die, and if that means capturing images to put into a magazine, so be it. Because on top of those images being put into a magazine, they also go to the people I take the pictures for.

Like Mina, who struggled with self confidence and being body shamed before drawing enough confidence to enter a Miss International Pageant. Now my images I took of her didn’t change her life in any way, but while we were shooting, I could tell that she was happy with how they were coming out, and I could see just how much more confident she was getting with each shot as well. Seeing how much “positive power” an image can have is still mind blowing to me, not only for the person getting their photo taken, but for me as a photographer too. Seeing her happiness and confidence build more and more with each shot, boosted my own confidence and pride as well.

Then there’s Simple Life, a clothing store owned by Pamela Morales. This photo shoot was a really fun one for me, getting the chance to not only do portrait photography, but to get shots throughout the store as well. Again, my images didn’t change Pamela’s life for the better, and I’m sure they didn’t increase any sales. But while I took shots throughout the store, and even a few outside the store, I could tell that Pamela was having fun and loved the shots she was seeing. Unknowingly to me (until I read Simple Life’s article in the latest issue of True Northwest), Pamela has a saying “We try to treat all of our customers with the same level of kindness and respect. Everyone deserves to feel special and have a special experience.”, and man I’m going to tell you that when I read that I realized I got to experience that feeling of having a special experience. Pamela was so supportive in the ideas I had for certain shots, as well as being appreciative for the shots of not only her but her store and her employees.

I’m coming up on celebrating 2 years shooting photography in September, and I’m learning more and more as time goes by, on top of being dumb struck with where I’ve managed to place myself in 2 years. It’s probably cliché and corny to say, but I don’t care, if I knew where I’d be as a photographer in 2 years I’d never believe it. I know there’s still a long way to go and a lot to learn still, which I say all the time, but I feel like I’m almost getting into a stride that’s even faster paced than the past 2 years have been. I have no clue still where my photography career is headed or if this truly is what I’m “supposed to be doing”. But I am so thankful that I’ve finally become fully aware of just how powerful photography can be, and I can’t wait to explore that even further with more people and True Northwest Magazine.

Thanks again for reading my little blog post, I hope you enjoy the photos to go along with it.

If you’d like to read more about Mina Kalyan & Pamela Morales (Simple Life), head over to https://www.truenwmagazine.com/shop where you can grab a digital or physical copy of Issue 04.

Catch y’all later.

Andrew Hoyle

Can't Always Get What You Want....But You Can Always Rent

Wow, I actually got to a point where I was busy enough to forget to write for this blog. As of last week, I broke my streak of writing, and it would have been my 28th blog in a row of putting my thoughts to (digital) “paper”. It’s crazy to think that I’ve been writing blogs since February, and that I’ve kept up such consistency, something that’s always been extremely difficult for me to do because of the issue that come with having ADD. And when I realized that I’d missed my (now normal) weekly post, I felt a weird sense of both disappointment from forgetting to write, and pride after finding out that I’d been so consistent for so long.

I didn’t really have an idea in mind when I started writing, it was kind of like my photography journey, I just kind of dived head first into it and let it take me where it was going to take me. But I’m extremely happy that I did start my little blog post writings, so that I now have a marker in time of where I was at, what I was doing, how I was feeling (good and bad), and even what goals I had at the time. Writing never (and I do me NEVER) came naturally to me, since as I mentioned before I have ADD, I also was and still am to a point a phonetic speller, and the biggest part that always stopped me was that I never knew how to write for myself, instead I’d always write with the thought of someone other than me reading it. But I feel now that I’ve learned to control (to an extent) my ADD, I’ve learned how to overcome my phonetic spelling issue (spellcheck is also a huge help, but my great grandma deserves the most amount of thanks), and largely I had something going that meant a lot to me and I wanted to document for my future self to look back on. I finally was able to break free of my reserve and let the words flow naturally.

But enough about writing, and more about what I was doing that made it to where I forgot to write. Which was going out on another photoshoot for True Northwest Magazine, this time I was going to be doing a shoot for a cute little clothing store in downtown Seattle. Like most things I do, I wanted to continue to improve from the last shoot, so I thought about where I felt I was lacking from the shoot I did with Mina. I felt confident in how I was getting Mina into poses, but definitely felt like I was at odds with my lenses I had for the shoot (Sigma 35mm f1.4 and the Sony 85mm f1.8), I just felt like I was either too far away or too close to Mina after getting her in position. Now don’t get me wrong, I absolutely love the photoshoot I did with Mina, and the images that we were able to get, I just felt like I was wasting time by either swapping out lenses, or repositioning myself constantly.

After describing my frustrations I was having with a friend of mine, they suggested I look into a 50mm lens, as it’s almost identical to the view of our own eyes, which means I would have a much better “composition positioning” time. I was extremely excited and intrigued by this, and I’d never heard that 50mm was so close to what we see before. So I started looking into 50mm lenses (which there are plenty of, and at plenty of price points as well), and then I remembered that Glazers Camera in Seattle had a rental department. I checked their selection of lenses and saw a few options of 50mm, a Sigma Art f1.4 version, a Sony f1.4 GM, and a Sony f1.2 GM. Hearing a lot about the Sony 50mm f1.2 GM lens, and how beautiful the images look straight out of camera, I figured why not go for the top of the line.

The day before the shoot I figured I’d head down to Seattle to pick up my rental, then go find the shoot location, and afterwards take this new lens out for a spin to get use to it. While I was at Glazers, I talked with the folks behind the counter, and they asked what I was going to be shooting. I told them I was going to do a shoot for a magazine, kind of a portrait style and a business showcase as well. After my answer they asked if I had ever used a 135mm for anything, and I told them I’d never used a prime lens 135, but I’d shot a couple things at 135 using my 70-200mm. When they heard this, they asked if I wanted give it a try as well, to which I said “sure, why not”.

I left Glazers with one more lens than I thought I was going to, and headed to Simple Life clothing, before heading out to do a test. But after finding out that Simple Life is only a couple blocks from Pike Place Market, I decided to pull an audible and park down by Pike Place, so I could walk up to Simple Life and test the lenses along the way (before and after). Once parked, I also had the idea that this would probably make for a good YouTube video, so making another split second decision, I grabbed my second camera body, slapped my 14-24mm lens on it with my Rode NTG mic, hit record and away I went.

Being a novice “Vlogger” I stupidly forgot that I was going to test the lenses out while walking to Simple Life, and only took a few shots with the 50mm before arriving to my location. Thinking on my feet though, I wrapped up my video after going in and meeting Pamela for the first time (owner of Simple Life), and focused on testing the lenses the entire time I walked back to the car, which gave me a wonderful surprise. The moment I put my camera up to my eye with the 50mm on it, I fell in love with this lens. It was exactly like told to me, I basically saw my composition before the camera was even there. I ran around Pike Place, looking for anything of interest and snapping away happily.

I was having so much fun I forgot that I had two lenses to try out, so once remembering I tossed the 135mm on, and that’s where things took a turn (not for the worst, more of a curve ball I guess). The 135mm is so drastic of a change from 50mm, I had a rough time getting use to it, and honestly I think I took less photos with the 135mm than I did with the 50mm. But by the end of the day I could see that I was mostly struggling to use it for street photography, but had a better idea of how I could better use it the next day at the photo shoot.

Now, before I go into another section that describes how the Simple Life photo shoot went, I’m going to send you here - https://youtu.be/8Z_k54hLlLU - which is the video that shares everything, and has the photos from Pike Place and a few from Simple Life as well.

I will finish up this blog post where the video left off though. I truly did fall in love with that 50mm f1.2 GM lens, so much so that I went on a hunt to find a used version (as the new version is a $2000+ lens). But after two weeks of searching, I found that it’s a lens that doesn’t get traded in very often, so I concluded that I’d wait to save up for a new version. And then the world pulled off another uncanny miracle, after searching Glazers used department, Kenmore Cameras used department, B&H’s used department, and a website called MPB for two weeks only to come up with nothing, I found not just one but eight (yes EIGHT) 50mm f1.2 G-Master lenses. One of which was at Glazers, and the next day was in my bag to join my growing collection of prime lenses.

I’ve never fallen so in love with a lens before, and I can’t honestly explain to you why I love this lens as much as I do. I’m not sure if it’s the fact that it’s so easy to use and compose an image with, I don’t know if it’s the super shallow depth of field that comes with a f1.2 lens, or if it’s the insane sharpness and quality that a G-Master (GM) lens offers. But I will say that I will never go anywhere to shoot anything without it. I will also never underestimate the awesomeness that comes from renting lenses.

I hope you can forgive me for missing a week of writing (even though like I mentioned above, these writings aren’t always 100% intended for readers beyond myself), but I hope this lengthy post makes up for it, and that you enjoyed the read once again. I’m not sure if I’ll hit another 5 month consistency streak, but I know I’ll try my best to keep up my writings and documenting my adventures.

Until next time, I hope you have great days and I’ll catch y’all later. Oh and if you’d like to check out the photos I took, make sure to watch the video (https://youtu.be/8Z_k54hLlLU) for the Pike Place photos, and pick up the Summer 2023 issue of True Northwest Magazine at - https://www.truenwmagazine.com/shop - to see my photos of Simple Life Clothing, as well as the photos from Mina’s shoot.

Andrew Hoyle - Grimlock Media

Inclusive Support

I see groups of individuals all the time lately talking about inclusion, so much so that I can’t help but feel like it’s been branded into my gray matter. Happily I’ve had my own events happen that made me feel not only included, but encouraged and supported as well.

Not long ago, I talked about doing my first full on production recording for True Northwest Magazines podcast. Well just recently, I was granted the opportunity to do a photo shoot for one of the individuals that’ll be in the next magazine release, and I was once again feeling nervous and scared as hell. When it comes to doing things with or for True Northwest, I can’t help but feel my stomach drop out. Everything is a first time, and I have so much respect and appreciation for True Northwest, that I don’t want to disappoint them.

The funny thing is that I never felt that way while working for my current employer, and a lot of that has to do with the fact that I’ve never felt like I was of any value or supported for what I had to offer to the company. The exact opposite is true with TNW, as I’ve felt appreciated and supported throughout the first moments of talking with Melissa (the founder and owner of True Northwest Magazine). It’s never been a secret that I want to break free of my under appreciating “big business corporation” current employer, and the only reason I’ve stayed and not yet left is due to my financial status holding me back. Don’t get it twisted, I don’t make any grandiose amount of money, but I make enough that if I did leave I’d be hard pressed to make enough to support my family.

That all being said, let’s get back on topic. So the other weekend I shot for a True Northwest Magazine article that’ll be on Mina Kalyan, the 2023 Miss International America Curvy winner and Life Coach. Mina has an amazing story of encouragement and inner strength, as well as being a beautiful model to shoot for, I can’t wait to read more about what Melissa learned about Mina in the newest edition to come. The three of us spent about 2 hours shooting down at the Everett Waterfront, and it wasn’t but 5 minutes into the shoot that all my nerves and worries melted away. The confidence that came through the eyes and the poses of Mina, combined with the choices of lenses I put on my camera, made for some of the best portrait photos I’ve done to date.

Where I really started to feel so much better, was in the moments between shooting, when I was able to talk with Mina. Like I mentioned she is not only a pageant winner, but a life coach as well. Toward the end of our shoot, I had mentioned that I like to be honest with the people I shoot, and that I hadn’t really done anything like model photography before. Mina was so kind and supportive with her words, encouragingly saying “I never would’ve known. You show great skill in what you do, and even the unedited photos look great”. I will forever remember that moment for the rest of my life.

Which leads me to my point, that I don’t want to do photography, nor did I start to shoot photography to begin with, to make a boat load of money. I started to shoot photography because I felt like I needed to use my camera for more than just making Craft Brewing Review videos. Which lead me to realizing just how much I love creating and sharing my images with people, hearing or even seeing how happy they get when they view them, and ultimately drove me to pursue starting my own business around my photography to see where I can take it. I’ve never felt included or supported by anyone at the Lazy B, not like I have from the people I’ve met along the short journey through my photographic career, and I’ve only been shooting photography for a year and a half now (compared to the 12 years I’ve spent at a company that could care less about me).

Every week I thank you for your support, and for taking the time to read my writings. And every week I mean it from the bottom of my heart. Each one of you that reads, likes, and talks to me about the images I capture will forever hold a place in my heart. So once again, Thank You, and I hope you enjoy the photos that follow.

Have a great rest of the week, and I’ll catch y’all later.

Andrew Hoyle - Grimlock Media

The Bear of Inspiration

It’s kind of weird, but cool, how we can draw inspiration from so many vastly different things. Lately I’ve been really into The Bear, a TV show on F, showing the life of a high class restaurant chef that takes over his brothers Chicago sandwich shop after his brothers passing. This show has absolutely nothing to do with photography, videography, or any other aspects of what I’m trying to achieve in my life. And yet I’ve drawn so much inspiration from it, it’s kind of crazy.

I love the fact that “Bear” (the main character) doesn’t cook just because he Loves cooking, or because he finds it Fun. He does it because not doing it would drive him insane, it’s an outlet for him, almost as if there was no other option but to cook and try to be “the best” at it, or prove himself (in some ways to others, but also to himself). I also love that in The Bear, the “feeling” throughout each episode is that of Intensity, Passion, Chaos, with a hint of Love, Fear, and Admiration. If anyone is looking for a good show to watch, I’d suggest The Bear for sure. I hope they keep going with it.

The hilarity of The Bear being inspirational, is that I’ve talked about those “Feelings” toward my photography before. Mentioning that I couldn’t help but get sucked into photography at full speed. As soon as I picked up a camera that was more than just a point and shoot, and started editing my photos, I was hooked. I instantaneously found myself being driven to shoot more and more, finding new genres to shoot, trying new editing techniques, and seeking out new places to explore in hopes of finding my new favorite photo. But recently (like I mentioned last week) I’ve been finding myself in a slump, which I’m all but 100% positive is due to not going out “just to explore”. But that being said, I think my hike to try and find the Dye Homestead was a much needed "jolt” for my photography, since I shot everything on film (so there was no instant gratification), and because I knew there wouldn’t be any instant gratification I shot things that I would want to keep as memories over shooting for “posting to the gram”.

Another slight inspiration I took away from watching the Bear, but more need to give credit to working with True Northwest Magazine, and also give credit to my friend Tom Buck. Is performing a “pause/reset” (my term, not any of there’s), which I’ve started and hopefully will finish soon. The “pause” inspiration came from Tom, and I decided that sounded like a good idea as well, to take a short break and think about where I’m at before thinking about where I want to go next. The “reset” part came from both Tom and The Bear, which for me was motivating myself to reset my shop in my backyard, and turn it into a “studio”. I started the restructuring of my shop over the 4th of July holiday, and it’ll be an ever evolving thing for awhile. You may be asking “what’s the studio going to be for"?’, and that’s where True northwest Magazine’s inspiration came in. I wanted to build out a Set/Studio for a podcast idea I recently thought of, based around photographers and photography, all due to recording an interview that True Northwest Magazine just did.

I’m hoping that in the next few weeks, I’ll have the studio roughed out enough to start recording in it, and introduce a new outlet from me to share photography with the world. I hope you’re intrigued and as interested to see it as I am, but I also understand that you may not be (since I have found that I am oddly obsessed), lol.

As always, thank you for taking time to read my writings, and I hope you’ll continue to come back from more.

Catch y’all later.

Andrew Hoyle / Grimlock Media