Identity Theft

There's no doubt I’ve been in a slump lately, I haven’t paid much attention (and actually put myself on a pause) to social media lately, I haven’t had the urge to create new YouTube videos for my channel, and I keep getting this nagging feeling that I’m missing something (better yet, I’m panicked about something). And this has been going on, in one way or another, for a couple years now.

But I think I’ve actually figured out what it is that’s causing this slump, and it’s going to sound stupid to potentially a ton of people. I think I’m having a mid life crisis.

I’m 36 years old, and it just dawned on me that I have no fucking clue who I am. Not in my photography, not in my life, not in what I want to do for work (that one has always alluded me though). I don’t know who I am, I have NO clue what I’m actually “good” at, and I hate the thought of dying and being remembered for……what? I know there are plenty of “things/events” family and friends would remember me for, but if you asked them “Who was Andrew Hoyle”, I honestly don’t know what you would get as a response.

I’ve never understood why one identity means so much, up until recently, and truthfully I’m still not sure I fully understand it. But I’ve come to think on it a lot more lately, and while thinking on it I appreciate true artists so much more now than ever before. True artists, and I mean the ones that express themselves in everything they do, are fucking amazing. They searched and found their true selves, crafted it over years, and evolved constantly as they found out more and more about themselves. Also, I want to mention that when I say “True Artist” I don’t just mean a brush and canvas artist, I mean an artist in every creative fashion.

I knew getting into photography I’d have a long road ahead, with many things to experience, learn, evolve with, and figure out. I didn’t know how easy it would be to fall into the trap of “cookie cutter” editing, pushing photos out to appeal to others, and succumbing to the publics current “likes”. I am an artist, whether I knew that from the start or not. And I need to start searching for who I truly am, even if that means going backwards in business steps. I don’t know what that ultimately means for the photography portion of Grimlock Media, but I do know that “nagging feeling that I’m missing something”, is my brain trying to tell me I’ll never evolve for the better if I don’t figure out who the fuck I am and what My Style of photography looks like.

I’m obviously in a pretty weird time in my life, and I understand if I lose people because of it. But do know that I thank you for coming along with me, and thank you for reading my writings.

Catch y’all later.

Andrew Hoyle - Grimlock Media

Dye'ing To See It Before I Die

I’m not sure why, but lately I’ve been highly interested in connecting, or even more so wanting to expand on the connection with my families. For those that don’t know, I have three, my mothers, biological fathers, and my step dad’s. I don’t know if emotionally I’ve felt like I’m not as close with my families as I once was, if I’m still in mourning over my grandfather and great grandmothers passing, possibly even the realization that the rest of my remaining grandparents might not be much longer for this world could be weighing me down. Leaving me in a preemptive state of grief while I wait for the inevitable.

But regardless of Why I’ve been feeling this way, I decided that there is something I hope to contribute to my family members, hopefully before any more of us pass and move on to whatever comes after our period of time on earth. I wanted to do my best to reconnect my family and myself with places that could be classified as a “place of origin”, and so on June 18th 2023 (Fathers Day) that’s what I did, I started Project: Family Photos.

Two weeks before Fathers Day I had to go into the doctors, my arm was bugging the hell out of me and I couldn’t ignore it any longer. I found out that I have tendentious, and that I needed to try and take it easy, which was going to be difficult to do, since I had a car show event coming up on Fathers Day and I knew I’d be lugging my camera gear around all day. Which led to a bit of a heart breaking decision not to attend this years car show. But since I wasn’t going to be going to that, I thought instead it’d be fun to take my dad out on a hike to see if we couldn’t find the old Dye Homestead. When I asked, it sounded as if he almost jumped through the phone with his “YEAH! That’d be great”.

So we planned it for Fathers Day, and headed out early (for me) that morning to the “trail head”, located just North of Sedro Woolley. We tossed our packs on our back, filled with snacks, rain gear, water, a few other necessities, and in my pack I had the addition of my “new” Canon A-1 film camera and my Sony A7iv (for recording video). I wanted to bring my A-1 film camera for two reasons. One, because I’m using the restrictions of shooting film to teach me more about photography in general, and two, because I love that with shooting film everything is captured on that exposure. It’s a tangible memento of frozen time, and yes I know that the same could be said with shooting digital photography. But is it really the same? Anyway, back to the trip.

After setting down the trail, it wasn’t but 10-20 feet we walked before reaching a trail head sign showing the route. We had already roughly known the route, since we could pretty easily see with Google maps satellite imaging where a trail snaked along the river (South Fork of the Nooksack River). What we didn’t know was what kind of stream crossings we’d encounter were going to be like, and if we’d even find anything that could even remotely be evidence of the Dye Homestead. But we were determined and excited to be out in the woods enjoying the beauty Washington and the Saxon area has to offer.

The trail, other than fighting nettle bushes the entire way, was pretty straight and had very little deviation in elevation (until the very end). We walked along for about a mile and a half or two miles, talking and having a blast while I picked out a few spots to take some shots, before we came to our first stream crossing. My dad being the agile old man that he is, decided to take the “log balancing” route, while I opted to go the obvious “horse” route (being that I’m about as agile as a Clydesdale). Luckily the stream wasn’t very deep or wide, and we made short work in crossing it. Not much further though, maybe another mile/mile and a half down the path, we came across Cavanaugh Creek, a much deeper, much wider, and much stronger creek.

This was our first challenge (wasn’t going to be the last), but after taking a quick “assessment” break and pulling out my hiking poles, we crossed. Fun fact, Cavanaugh Creek is fed by snow run off from South Twin mountain, so when you cross it (even in the middle of June), it’s still cold as FUCK!!! Somewhat intelligently though, once we crossed over the creek, we sat down and rung out our socks and shoes, making sure that we got as much water out as possible but not changing into new socks just yet, since we know we’d be doing it again on the way back.

Once Cavanaugh was dealt with, and we rung as much of the creek that came with us out of our shoes and socks, we set off back down the trail. Once again being met with a nice little hike through the woods, down a pretty well maintained path, until we were met with a fork in the path. Going Right was pretty easy to see that we’d be headed almost straight down to the river, potentially having the trail chocked off at some point and having to double back. Going Left we faced our second (and almost adventure stopping) challenge, a path that led up a “hill” of unknown distance and incline. Taking a quick look at the GPS and having a quick calculations discussion, we decided to go left.

Now, I’ll be the first one to admit that I am not in peak physical shape, but I huffed and puffed and “one step at a time’d” up that damn hill with everything I had, and I am DAMN proud of myself for doing so. I paid for it for the entire week afterword, but I didn’t care, I wanted to do it (not for anyone else, but for myself). My dad on the other hand, climbed that hill like he was part mountain goat, and I will not bull shit you that I was jealous the entire way up (and of course back down as well).

When we reached the top, we didn’t have far down the trail to go before we came to another decision to make. Now we were faced with having to deviate from the trail entirely, or continue up the trail that doubled back and looked to lead away from our GPS marker. So, we decided “screw it”, the path as the crow flies might be the better option here, so let’s try it, and away we went into the brush.

Moving at a much slower pace now, we made it maybe 200 yards from the path when we noticed a rather obvious small tree cleared area in the woods. Quickly I pulled out my GPS, thinking we’d found the homestead, but when I saw our location, I noticed that we were still a little ways North of the homestead coordinates. What we did come to the conclusion of though, was that we had found the 1st homestead location, which we had been told burned down and forced the Dye family to push further down the hill and closer to the river (where the 2nd and final homestead was built). We didn’t want to stay too long, mostly because there wasn’t much to “see”, or better yet photograph, and also because we had burnt a lot of daylight dealing with that stupid hill and still had a “little” ways to go.

After my dad snapped a quick shot of me standing in the middle of the cleared out homestead area, we set back down the “trail” (which we also determined to be the original wagon/carriage road). At last we made it, no not to the homestead, to the final challenge. A stream/waterfall crossing, ripe with eroded land on either side of it, and an almost vertical edge to jump up onto. “Not so gracefully” crossing, but at least making it over unscathed, we were met with an amazing site. A blatantly obvious historic logging road, with alder trees beautifully lining each side. Unfortunately this is where our exploration adventure ends, since we could actually make out the “road” on the GPS, and it lead all the way down past the Homestead to the river and we couldn’t chance not being able to find a path back North to actual homestead coordinates.

Exhausted, slightly discouraged we didn’t fully make it, and hungry. We sat down for our final break of the day, where I broke into my tuna sandwich and bag of mixed nuts, before recording a short video to talk about where we were and how we couldn’t make it. We were so close! Damn it! I know there’d be another shot at it, and we talked about next time planning for an overnight trip, but I still wanted so bad to keep on, knowing all to well that it would’ve a stupid decision to try and keep pushing on.

So after pouting for a few minutes and then telling myself “you did amazing, so stop being a bitch”, we stuffed all our trash in our packs, I put all my camera gear safely into my pack, and we started our trek back to the car. Carefully crossing back over the little stream/waterfall, passing the tiny homestead clearing, cursing my entire way back down that god forsaken hill, trying our best to cross Cavanaugh Creek will less water in our boots than the first time (didn’t work) and then wringing out our boots & changing into dry socks, then hoofing it down the trail again before crossing the 2nd little creek (this time dad decided to opt out of the “balancing log” path), and marching all the way back to the trailhead. That last part, from the little creek crossing back to the trail head was the hardest I’ve “dug deep” while hiking in years. Being out of shape and being so exhausted as I was, I’m not going to lie that I almost gave up a few times.

I’m not sure when I’ll attempt to get to the homestead again, but mark my words, come hell or high water I will make it.

I’m so happy I got to spend Fathers Day with my dad, happy to have started Project: Family Photos, and happy of what I accomplished physically. The power of determination is a crazy motivator.

I know this was a long one, and I hope you enjoyed the read. The photos that follow are a mixture of both my dads and mine, and will be cherished for the rest of my life, alongside the photos I took with my film camera (that hopefully come out exposed correctly, lol).

Until next time, I hope you have fantastic days ahead, and I’ll catch y’all later.

Andrew Hoyle

Crossing Cavanaugh Creek

Enjoying Cavanaugh Creek

Confused, And Scared As Hell

I don’t know what the hell I’m doing, I’ve been very upfront about that since day one. I’ve come a long way, learned so much, continue to learn, and I feel like I’ve built a pretty good brand too. But what I don’t know still, or understand, is how to be less discouraged.

I’ve had a pretty sizable amount of successes and accomplishments lately, designing and putting together a merchandise line, finding a company that can print my images professionally and also learning how to attach that application to my website, and just recently I started my “Family Photos” project (which was a success & failure at the same time, more on that later). I’ve put in countless hours/days getting everything organized, announced, adjusted and available. Only to be received with almost dead silence.

I knew running a business (especially a photography/media one) wasn’t going to pop up and get off the ground immediately. But I don’t know if I over did it and became numb to people (kind of like junk mail is to most people, you just see it in its little folder and delete it without even reading it), or if it’s more along the lines of what I create/do isn’t “good”. I just don’t know, because I’m just not getting any constructive feedback. I do whole heartedly appreciate the diehards that support me though, and I want to make that clear, I can’t thank you enough. I’m just in a state of confusion because I don’t have any “negative” feedback to go off of, I guess you could say “constructive negatives” to build off of.

I’ve also become more aware that social media is not helping me in any positive ways either, and so I’ll be putting out (or by the time this comes out, I may have already put out) an announcement that states I’ll be stepping away from places like YouTube/Instagram/Facebook for a little bit. Media applications lately (to me) have just seemed to become noise, nothing more than sources/platforms for people to scream “LOOK AT ME, LOOK AT ME!!! I’M THE ONLY ONE YOU SHOULD BE PAYING ATTENTION TO!!!”. Which is understandable and I guess a needed approach for a business, but gets frustrating for someone that just wants to show and share things with the world and not try to turn their page into an infomercial for sponsored content (or to pump their business/brand in people’s faces).

Like I said, I’m just confused about where I want to take my business and my brand (especially on social media platforms), which is the ultimate reason I’ll be stepping away from social media for a little bit. But if you’re one of my diehard supporters, or even just a casual supporter, that’s reading this, don’t worry. I still plan on writing out Grim-blogs, and working on projects that have already been put into place, I just won’t be starting any new ideas or pushing posts to social media.

So, what has me scared as hell? Well, I have a project coming up that I’m super excited for, but also scares the hell out of me, due to the fact that it’s the first time I’ll have done something like this. I’ll be in charge of a whole production to record an interview for True Northwest Magazine. From video to audio to lighting to editing, and then of course having True Northwest review everything before distribution. I’ll have some support, but going through the “first” of anything is always nerve racking. I’ve been open and honest with all parties, letting them know that I’ve not done something like this before. But at the same time, I also want to create something that looks professional and that all parties are happy with. My brain is a mess really, because I know nothing starts out perfect, but I just don’t want to disappoint anyone either by turning in some hot mess.

I’m sure everything will come out better than I think it will in the end, and I’m just psyching myself out. So fingers crossed I can add another “success” to the belt, and I get past this slump soon. Thank you as always for your support, and the next Grim-blog I will talk all about my adventure to the Dye Homestead for Project: Family Photos.

Until next time, I hope you have fantastic days, I hope you enjoy the photos I’ve been snapping with my phone, and I’ll catch y’all later.

Andrew Hoyle – Grimlock Media

Cherish The Ones That See You For Your Art

I’ve learned a lot over the past year and a half shooting photography. I’ve learned new ways of shooting photography, learned how to connect with people and network my way towards events I’d like to shoot, I’ve explored multiple genres of photography and how I like to edit them, and probably most of all I’ve learned a ton from mistakes/failures. But one thing I have no control over, and I have struggled to learn how to deal with is rejection.

I’d love nothing more than to be a full time photographer, shooting my way across the world, meeting new people and seeing new things. But one of the biggest things holding me back has been rejection in multiple ways. The glaring one that I’ve noticed and that turns people away from wanting to work with me is “Years in Service of Photography”, which still blows my mind that someone would look at a portfolio and like the work, only to say “Oh I’m sorry, I’m/we’re looking for a professional”. I’m sorry, but What? How are you going to like the work your seeing, but reject someone because they haven’t done it long enough in your eyes?

(I do want to note, that I’ve only experienced this personally a handful of times. But have friends that have told me about similar conversations of their own).

I do understand the mindset and view point of a certain clients though, especially those that can’t leave anything to chance of a mistake (think weddings, large corporations, or sponsorship teams that look to do “one shot” events like racing). The ones I’m more referring to, and have talked with my friends about, are the people that are looking to do family photos, boudoir photos, static personal car photography, amateur modeling headshots, or something that can be done without rush and allow for the photographer to learn. Yet they still are looking for seasoned photographers (or more commonly, a photographer that says they’ve been shooting since they were 5 years old. Which I have even more thoughts on).

Now, before you start coming at me with all kinds of remarks and comments of how I’m just crying about people not wanting to work with me because I’m a 1.5 year photographer, let me get through this a little more. Even though it does annoy me, I have learned to let it slide off my back, and I encourage anyone else that’d like to get into photography for more than just a hobby to learn how to do so as well. There needs to be an understanding that a large reason for this mentality and prejudice against “less seasoned” photographers, is due to the saturation of the field. Everyone, and I mean everyone can be a photographer. But how many will dedicate themselves to learning more than pointing a “camera/phone” at something and pressing a button? I could easily say that I’ve been shooting photography since I was 16 years old, giving me 20 years of “experience” in photography, and not mentioning that I was referring to taking pictures with a crappy Razor flip phone camera. But the reason I state that I’m a 1.5 year photographer, is because I only count the years that I’ve dedicated myself to photography (and becoming a full fledged professional photographer), which is my personal choice in how I present myself to people/clients.

So I said aaaaaaaaaaaall that (to the two or three people that actually read this when it comes out, lol), just so I can say this. Don’t judge a photographer based off of a number, look at the work they put out, and remember that even the most professional photographers had to start at some point (and have people take a chance on them too). As for any photographers that may read this, even if you get rejected, DON’T GIVE UP. Keep your head up, keep hammering out photos, keep networking with people, and I guarantee you’ll run into people that’d love to work with you and help you grow.

Now, talking about those people that love your work, want to work with you and help you grow, and don’t mind if you stumble through things while you learn. Cherish the hell out of those people, because those people could vary well blow up your career more than you ever imagined, and even if they don’t, they’ll still hold a special place in your heart for the rest of your life.

I’ve always expressed how happy I am, and thankful I’ve been, for the people that’ve looked at my work and decided to give me a shot. Some have been family, some have been friends, and even more have been strangers that have become good friends. I’ve been invited to automotive/racing and graffiti events because of people giving me a shot, I’ve done family/baby announcement/high school senior/prom photos because people have liked my work, and I’ve been fortunate enough to now work with a magazine because of everything mentioned above. I have met so many people in the past year and a half, that have become so much more than just clients/people, they’ve become something more along the lines of my own little community that I am so very grateful to have met.

I know this has been a long one, and I appreciate you sticking around to the end. I just want to leave off with one last message. Find your community and cherish the hell out of them, learn from those that may turn you down and why they did so, never stop growing as a person or a photographer, and never EVER give up on your dreams/drive to get somewhere.

As always, I hope you enjoyed this weeks writings, and thanks for reading.

Catch Y’all Later.

Andrew Hoyle - Grimlock Media

Old Fart!!!

86 years old as of June 6th 2023, I hope one day I can be an Old Fart too. You were the first Father Figure I ever had, until Doug took over that role, and to be honest I’m pretty sure you never did know how to deal with a kid like me (hahaha). I wasn’t like my cousins, my mind didn’t work like theirs did, but you never gave up on me, even though I frustrated the hell out of you sometimes. You helped me get off Ritalin, helped teach me hundreds of useful things, hell you even taught me how not to take anyones shit (with the added help of mom of course, but she learned it from you, so that’s kind of doubling down on the education).

It wasn’t until your second run in with cancer that you really changed, and honestly it freaked me out at first, since you weren’t the hard ass I knew during my youngest years. But once I got use to seeing and talking with the softer side of you, I enjoyed it. Drinking a beer together, talking about your life when you went to school and the struggles you faced, and most memorably when you told me “I’m so proud of you Andy, you’ve come a long way kid.”………..(had to pause and walk away from the keyboard there for a minute, couldn’t type while teared up).

Your other date is coming up, June 16th 2019, the day you taught me one final (and harsh) lesson, what it’s like to lose someone you cared so much for. The three years prior to this one I didn’t take so well, they came and I’d revisit those same depressive emotions again, along with trying to figure out how a person properly grieves. This year is strange though, I’m very aware of the date coming up, but yet I’m not in fear of it. I’m pretty sure that’s due to a thought I’ve had since almost day one of shooting photography, “I wonder what grandpa Dick would think of this photo?”

I’ve been told by so many people now “Oh my gosh, your photos are amazing. You have such an eye for things. It’s crazy that you’ve only been shooting for such a short time, you must be a natural….so on, and so on.” But I know you’d have a different way of saying those things, because you didn’t use words like (Amazing, Love, Beautiful, or You’re a Natural). Instead you’d have told me, “You know what I like about these photos Andy? I like the way you tell a story. I like that no matter the photo you show me, even if it’s in black and white or color, I can see a feeling. You’re doing great kid, keep it up.”……….(sorry, had to walk away from the keyboard again. my tear ducts are getting one hell of a workout tonight. Wooo)

I don’t need to say “I hope I made you proud grandpa”, because I already know I did, long before I got into photography. But I do want to say that I miss the hell out of you, you old fart. One day we’ll meet again, drink a beer (or a few), sit by a campfire, and talk about all the adventures I’ve been on.

Thank you grandpa, if it weren’t for you, I wouldn’t be half the person I am today.

Richard Dye - June 6th 1937 to June 16th 2019 - Beloved great grandfather, grandfather, father, brother, husband.

(Additional photos below are images I think he would’ve enjoyed the most).

The End of a Wonderful Experience

Well today is the last day that my prints will be hung up at El Mariachi. It’s been a fantastic experience, even though I didn’t manage to sell any of the photos. A few times I was in getting some tacos though, and I spotted a couple people looking at them. Being that I’m not a very shy individual, I’d go up to them (if they weren’t eating, I’m not shy, but I’m not rude either), and I’d ask if they liked the images. They’d usually reply with, “Yeah, these are pretty neat.” and one guy even told me, “Oh Yeah! I wish I had my phone, so I could scan the QR code”. I’d proudly tell them that I took them, and we’d have a short conversation while we waited for our food. Talking to people and having my work hung up on the wall made me feel so proud, and taught me a lot more than I though it would.

One of the things I learned was that I needed to be mindful of light sources. I’m fairly confident that one of the reasons more people didn’t see (or better yet notice) my work, was because of the glare from the large windows across from them. I also learned that my Description Tags need to be larger, and more descriptive, so that people don’t have to rely on scanning the QR code or being much closer to read it. I would say the largest take away from this whole experience though, was that I am such a small fish in this ocean, but I honestly found that I don’t mind.

I’m sure that if I had an ego about my photography, or if I thought I deserved more attention/respect toward my work, I’d be upset that I didn’t sell anything or have any kind of “shout out” from random strangers. I am very well aware that I’m nobody to the general public, and I feel like YouTube has helped me tremendously with that understanding. I honestly don’t care though, I will more than likely stay a “nobody” for the rest of my life. I knew getting into the Photography world that there is such a minuscule chance of major visibility. We live in a time period that photography is everywhere, and images taken by a guy that only just started a year and a half ago won’t and can’t stand up to photographers that have been shooting for decades. Not to mention, if I go onto Instagram/Facebook/YouTube or even Twitter, I have no doubt I could find millions of people that shoot photography, and are much better at marketing/showing their work to the world than I. Again, I’m blatantly aware that I’m a small fish in a big big ocean, but I’m happy to be swimming around in the ocean none the less.

Coming to the end of one experience marks the starting a few others, one of which is shooting film photography. Recently I picked up a Canon A-1, a fun little film camera from the early 70’s, which even though it’s over 50 years old, it still has some pretty cool “tech” to it when it comes to shooting. I actually picked it up because of Project - “Family Photos”, where I’ll be heading out to different locations that are tied to my family’s pasts (in one way or another). I’d like to shoot the project on film, as an added touch of “tangible time capture”, since film negatives are just that (a single moment in time that you can hold in your hands). On top of picking up my A-1, I also acquired a few other cameras that belonged to my grandparents. Two Eastman Kodak bellows cameras that are from roughly the 1920’s, a 1950’s Kodak Brownie that was my grandmothers, and a Pho-Tak Time Traveler 120. These cameras may never be used again, but they will damn sure live on with me until the day I pass them on (or I pass on).

I’m so excited to be shooting on film, and already it has changed the way I look at things, on top of slowing me waaaaaaay down. For my A-1 (which will more than likely be the main camera I use for the project and for fun), I only have one lens, a manual focusing 50mm f/1.8 which I’m finding is a great all around lens to learn on. I could easily find different lenses, but I don’t know if I really want to, at least not just yet. 50mm is great to start out with, as it seems to be quick to visualize what the image will look like, before you even bring the camera up to your eye (at least it is for me). Knowing you only have roughly 30 some odd shots in each roll, really makes you stop and think also. Bringing thoughts to attention like, “do I really want to shoot this, is it really that interesting"?”, and if you do want to capture something, you take that added extra time to make sure it’ll be in focus or cut/add to the images composition. I highly doubt I’ll solely shoot on film from this point on, but it is definitely nice to try it out, and connect with my grandparents more within the world of photography.

I have a few more things coming up, but I’ll save those for another blog post, probably sharing them as they come up. So I’ll leave off with the end of one experience and the start of another.

As always, I hope you enjoyed this weeks writings, and I hope you have fantastic days until we meet again. If you’d like to support Project - “Family Photos”, you can do so here - https://patreon.com/GrimlockMedia

Thanks for reading, and I’ll Catch Y’all Later.

Andrew Hoyle - Grimlock Media

Soft Brilliance

It amazes me just how much my mood can effect the editing style of my photos, I’m not sure if it’ll always be that way, or just until I find “My” style or “Look”. Either way, I enjoy the different looks to my photos as time rolls by.

I started out editing these photos in the same style I typically revert to (especially when editing in color). A higher contrast, color pop bombed, super sharp and de-hazed style that really catches the eye. But something just didn’t look right with a lot of the photos, it was almost too much, too in your face and loud. I knew I didn’t want black & white, because I wanted to capture the sunset in all its beautiful glory, and as I was seeing it (in all my partial color blind glory). So off I went, browsing the mass of presets I’ve collected, to see if I couldn’t find a style that better capture the “mood or vibe” that I was missing.

I ended up using a preset that I recently just acquired from a photography I follow on YouTube (James Popsys). Titled - “High Key 2.0”, I found what I was looking for. Letting the natural colors come forward, while giving it just a touch of softness made these photos hit the mood I was feeling perfectly. Only adjusting a few elements of the preset (exposure, lens compensation, and vignetting), it took no time at all to finish up the photos that felt slightly off before. I still used my trusty stand by preset “Skittles Pop” (an altered preset from Jared Polin) on a few of the other photos, but I really can’t get over just how much these lot of 10 all made me feel happy. HECK, I think the guy at the front of the ferry was even happy for me, hahaha.

I guess it goes to show that I should explore other styles in my editing, just as much as I explore different genres of photography. Which leads me to a hint about an upcoming conversation, shooting a revived style of photography (that’s all you’re getting for now).

Before I wrap everything up for this blog, I just wanted to mention the Patreon account again. I’m hoping to start my photography project, Titled: “Family Photos”, here in June. If you like the content I put out, and would like to contribute to future content, I would be greatly appreciative. There’s 3 options for monthly contributions ($10/$15/$20), which will allow you first access to blogs/videos/discounts and more as time goes on. I thank you for the support you’ve shown already, and I’m excited for what’s to come soon.

Patreon - https://patreon.com/GrimlockMedia

Like usual, I hope you enjoyed our conversations/writings, and that you’ll enjoy the photos from my most recent adventure to chase the falling sun.

Have a fantastic rest of the week, and until we do this again, I’ll catch y’all later.

Andrew Hoyle - Grimlock Media

Cheer Up, and Dance

Alright, I want to start this weeks post with an apology. The last couple posts have been gloomy, “grim”, and down right a bummer. It’s spring time, the sun is out here in the PNW (at least more than it rains like usual), and so many things are coming to life. So I do apologize for being such a bummer lately, and I’ll be trying my best to see the positives in life (even from any potential negatives that may arise).

Just recently I was asked to shoot Prom photos for a friend of mine. Her son is in his senior year of High School, and she’s been trying to capture as many moments of his youth before it’s gone. I gladly took the opportunity to try my hand at more “model/posed” photography, even with being nervous as all get out. I really was excited, but my nervousness came from the fact that I haven’t done a whole lot of posed photography, and the little I have done I was blatantly aware of the shortcomings I had during the entire shoot. One of which is that I have no previous experience in how an individual should pose, another is that I don’t have on or off camera flashes to use, and the last being that I usually struggle in locations that I’ve never seen or been to before. Even with all that against me though, I was able to pull off some of the best “model” photos I feel I’ve ever shot to date.

How I went about concurring those previous struggles was that I built up as much confidence as I could and I forged ahead professionally. I ran positions and compositions based off of the natural/available light in my head, before instructing my “models” with what to do and where to go. As soon as I pulled out my camera, I examined my surroundings for possible backdrops, while still allowing for Natural events to unfold and what those backdrops could potentially look as an image. I also (unknowingly) was able to keep the mood fun and easy, which made it so that no one was rigged/stiff or felt like they needed to 100% pose for the camera all the time, they could just enjoy the moment and stop for a posed shot sporadically.

In the end, my nerves were washed away, I got into a groove, and the photos I came away with are loved by all parties involved. I accomplished a goal, continuing to try my best to become a better event/portrait photographer. There’s still a VERY long way to go, and a lifetime of information to learn about how to become even better within that field. But I did it, I started something even though I was nervous, I worked my way through it, and I produced images that will be cherished for years and years to come. I know that it won’t always work out that way, there will be clients that I just won’t be able to please and I’ll need to work through that when the time comes, but even that won’t ever come to be if it wasn’t for the fact that I tried and put effort towards becoming an event/portrait photographer in the first place.

I have so many new opportunities coming up soon, and I wish I could list them all here now, but they’ll have to be written about as they come to pass. I can say that most of those opportunities will come from working with a little ol’ magazine called True Northwest Magazine, and that shooting photography will only be the tip of the iceberg with that adventure. So stay tuned and be ready to see a whole new version of Grimlock Media as it evolves.

I hope you have a fantastic rest of the week, that you get to go enjoy the sunshine, and that you’ll continue to join me for more posts in the future.

Until next time, I’ll catch y’all later.

Andrew Hoyle - Grimlock Media

(A final note before you go: If you do enjoy the content that I post, whatever and wherever that may be, I want to say Thank You. It is my goal to one day move away from my current full time job as a crane operator, so that I may focus more attention on photography/writing/video production and other related projects. I’ve created a Patreon account where people can sign up to support me with future endeavors. I’ll post the link below, and again I want to say Thank You for your continued support.)

Patreon - https://patreon.com/GrimlockMedia